Art and Faith Exhibit

This fall Westtown’s Center for the Living Arts Gallery hosted the “Art and Faith” Exhibit to mark the 70th anniversary of Fritz Eichenberg’s Art and Faith Pendle Hill pamphlet, which considered the role of art at Westtown School. The exhibit featured original prints by Eichenberg from Westtown’s permanent collection, and works by Quaker artist Todd Drake, students, and faculty. 

In 1954, Fritz Eichenberg, a German-born committed Quaker—and one of the most prominent visual arts educators of his time—visited Westtown’s campus to speak about the arts as an extension of the school’s essence. Two years prior, Eichenberg published his thoughts in a Pendle Hill pamphlet, Art and Faith. This is the 70th anniversary of that radical little work. 

Fritz Eichenberg (b. 1901, Cologne, Germany; d. 1990, Rhode Island) was a popular German-American illustrator, speaker, and educator. Eichenberg held prominent posts at the Pratt Institute in New York City and the University of Rhode Island. He fled the rise of Nazism in 1933 and was involved in the Works Progress Administration’s Federal Arts Project during the Great Depression. A committed Quaker, Eichenberg’s art often focused on social justice topics. As a writer, Eichenberg composed radical pamphlets for the nearby Quaker education and retreat center, Pendle Hill. As a teacher, Eichenberg was well-known for his “The Art of Teaching Art” lecture. Perhaps, though, Eichenberg is best known as an illustrator of classic novels and for Dorothy Day’s The Catholic Worker radical newspaper. In the 1950s, Eichenberg visited Westtown’s campus as part of his ongoing participation in The Society of Friends and arts education.    

Todd Drake (b. 1961, North Carolina) is an American interdisciplinary artist, activist, and educator who lives in New York City. The recipient of multiple grants and fellowships, Drake has traveled globally to facilitate social justice-oriented arts projects. Alongside his wife, Drake is the co-operator of a Quaker intentional community in Manhattan, Penington Friends House. Drake’s most recent solo exhibition was “Rising,” a series of prints and pen and ink drawings dealing with the issue of Global Warming. His surrealistic imagery links his experiences growing up on the Outer Banks of North Carolina with his concerns for what will be lost due to the rising tides of the Climate Crisis. Recently, Friends Journal published Drake’s “The Leading of Hope.” 

Director of Visual and Performing Arts Alex Ates was instrumental in bringing this exhibit to life, and the idea came to him during his visit to Pendle Hill, a Quaker retreat and conference center. “The exhibit was inspired when I read Eichenberg’s Pendle Hill pamphlet Art and Faith while I was on retreat there,” says Ates. “I was stunned by the clear and vigorous way that Eichenberg connected Quakerism and art. I was further surprised to learn that Eichenberg has strong ties to Westtown, as the school invited him to speak on campus in the 1950s and purchased several of his prints for our permanent collection. When I visited the pieces in Westtown’s Archives, I was struck by the fact that Westtown has been exploring the relationship between artistic creativity and faith for quite a long time—and the past can help embolden our future as we continue those conversations today. And, it just so happened, this year marked 70 years since Eichenberg’s pamphlet was published! Immediately, I knew to pull in my colleague Lizzy Oxler, who just completed her doctoral research on Folklore, to support this exploration as curator.”

The Art and Faith exhibit ran from September 16 through October 22, 2022.  The exhibit’s opening celebration included remarks from curator English teacher Lizzy Oxler, Head of School Chris Benbow ’90, and Pendle Hill Executive Director, Westtown trustee, and parent Francisco Burgos, along with an original piano composition entitled Looking for the Light, by Mandy Zhao ’24. During the exhibition, students from across divisions had interactive experiences with the work, from an image scavenger hunt and question series for Lower School students to reflective writing prompts for Upper School English classes. 

As highlighted in the exhibit’s opening note: “Eichenberg wrote that while he lives in the Age of the Atom ‘under the shadow of the Terrible Cloud,’ he remains hopeful at the promise of art and what art can do, noting that art itself ‘has survived all cataclysms.’  In our own community, we reflect on our own version of the ‘Age of the Atom.’ We continue to live in a world of nuclear volatility and political vulnerability. And, not to mention the ever-present hum of the COVID-19 pandemic. Still, we came together during Meeting for Worship, we still created productions; those practices continued and they can live together—they do right here, right where you stand. This exhibit is a timeline of the progression of these twinned spaces of art and faith, a meditation on the relationship as perceived by members of the community.

The arts have flourished at Westtown. We live in a space where art and faith are intertwined and cohesive. Bold arts education will grow at Westtown because the seeds have already been planted. So, we invite you to look forward to our past and our present.” Please enjoy photos of the exhibit here.